In any case, KORG shipped every M1 with the same 100 sounds. Perhaps it was for a lack of space, or for the commercial imperative of catering to specific markets. It was common practice for synth designers to ship instruments to different regions with their own presets. The synth shipped with 100 factory presets and because the M1 could access 4MB of sample ROM (a neolithic amount these days, but this was more than 30 years ago), the sounds were of a high-quality and very diverse. The versatility of the M1 made it a producer’s best friend its bang for buck ensuring its place in the studio for the long haul.
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